This past week, I worked three volunteer shifts in the 30th annual Whitaker St. Louis International Film Festival (SLIFF), which began on 6 November and runs until next Sunday (21 November).
My first shift was last Wednesday night (10 November), in the Winifred Moore Auditorium of Webster Hall at Webster University. The documentary "Chuck Connelly: Into the Light" ran that night, but there were only two paying customers. I watched the movie after making sure my volunteer work (handing out fan ballots and festival surveys to attendees). Too bad there were so few viewers, as I though this was a very interesting film about Connelly, a neo-expressionist painter who battled alcoholism and continued to work.
I was back at Webster University the following Saturday night (13 November) for my second shift. This time, there was a much larger crowd for a trio of French surrealist movies from the 1920s and early 1930s. This started with two short silent films, "An Andalusian Dog" and "The Seashell and the Clergyman." These films were accompanied by live music composed for these films and performed by The Rats & People Motion Picture Orchestra, a local group. The night concluded with the 1930 feature "L'age d'or" (The Golden Age), a surrealistic classic directed by Luis Bunuel. These were some most interesting movies to watch, to put it mildly, but they and the orchestra did get my attention.
This afternoon, I was the Brown Hall of Washington University for a third shift. There were a handful of patrons for the documentary "And So I Stayed," which dealt with three New York State domestic violence survivors who served prison time for killing their abusers. It was difficult to watch at times, seeing these women failed by the criminal justice system, but not impossible to watch. The directors, Natalie Pattillo and Daniel A. Nelson, were on hand for the screening, and they fielded questions posted after the movie by Cinema St. Louis Executive Director Cliff Froehlich and audience members. I congratulated Pattillo and Nelson on their superb film, and thanked Froehlich for his and Cinema St. Louis' work. (Barry E. Albrecht, a member of Cinema St. Louis' Executive Committee, was the venue captain during my shift.)
My fourth and final scheduled volunteer shift is this Saturday afternoon (20 November) at the Tivoli in the Delmar Loop. SLIFF concludes one week from tonight.
Later.
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